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<!DOCTYPE article PUBLIC "-//NLM//DTD JATS (Z39.96) Journal Archiving and Interchange DTD with OASIS Tables with MathML3 v1.4 20241031//EN" "https://jats.nlm.nih.gov/archiving/1.4/JATS-archive-oasis-article1-4-mathml3.dtd">
<article xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:ali="http://www.niso.org/schemas/ali/1.0/" dtd-version="1.4" article-type="research-article" xml:lang="en"><front><journal-meta><journal-title-group><journal-title xml:lang="ru">Актуальные проблемы высшего музыкального образования</journal-title></journal-title-group><issn publication-format="print">2220-1769</issn></journal-meta><article-meta><article-id pub-id-type="doi">10.26086/NK.2025.77.2.012</article-id><article-categories><subj-group><subject>Other</subject></subj-group></article-categories><title-group><article-title xml:lang="ru">К проблеме взаимовлияния цифровых технологий и традиционной культуры Китая  в современном медиадизайне</article-title><trans-title-group xml:lang="en"><trans-title>Towards the problem of the mutual influence of digital technologies  and traditional Chinese culture in modern media design</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author"><name-alternatives><name xml:lang="ru"><surname>Лаврентьев</surname><given-names>Александр Николаевич</given-names></name><name xml:lang="en"><surname>Lavrentiev</surname><given-names>A.N.</given-names></name></name-alternatives><xref ref-type="aff" rid="aff1"/><email>strog-­nauka2011@yandex.ru</email><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0001-6986-1229</contrib-id></contrib><contrib contrib-type="author"><name-alternatives><name xml:lang="ru"><surname>Ли</surname><given-names>Вэйчжэн</given-names></name><name xml:lang="en"><surname>Li</surname><given-names>Weizheng</given-names></name></name-alternatives><xref ref-type="aff" rid="aff2"/><email>lwz18931319717@126.com</email><contrib-id contrib-id-type="orcid">https://orcid.org/0009-0008-9744-6338</contrib-id></contrib><aff-alternatives id="aff1"><aff xml:lang="en"><institution>Stroganov Russian State University of Design and Applied Arts (Russia, Moscow)</institution></aff><aff xml:lang="ru"><institution>Российский государственный художественно-­промышленный университет имени С. Г. Строганова (Россия, Москва)</institution></aff></aff-alternatives><aff-alternatives id="aff2"><aff xml:lang="en"><institution>Hubei Northern College (Hubei, China)</institution></aff><aff xml:lang="ru"><institution>Хубэйский северный колледж (Хубэй, Китай)</institution></aff></aff-alternatives></contrib-group><pub-date pub-type="epub" iso-8601-date="2025-07-01"><day>01</day><month>07</month><year>2025</year></pub-date><issue>2(77)</issue><fpage>89</fpage><lpage>99</lpage><history><date date-type="received" iso-8601-date="2025-05-12"><day>12</day><month>05</month><year>2025</year></date><date date-type="accepted" iso-8601-date="2025-06-30"><day>30</day><month>06</month><year>2025</year></date></history><abstract xml:lang="ru"><p>Культура дзен и цифровое искусство представляют собой два полюса –– традиционный и современный –– в культуре Китая. Культура дзен сосредоточена на осмыслении духовных поисков и определении места человека в мире, подчеркивая единство природы и человека, пустоту и гармонию. Цифровое искусство, движимое современными технологиями, стремится к передаче захватывающих переживаний и эмоциональных состояний инновационными средствами художественного выражения. Эти два направления кажутся противоположными, но они глубоко вписываются в контекст современной культуры не только Китая, но и других стран. Цифровое искусство с его весьма свободными и разнообразными формами выражения обеспечивает инновационный путь развития культуры дзен, в то время как культура дзен привносит более глубокие философские коннотации и духовные измерения в цифровое искусство.</p></abstract><abstract xml:lang="en" abstract-type="summary"><p>Zen culture and digital art represent two poles: traditional and modern in Chinese culture. Zen culture focuses on understanding spiritual pursuits and defining a person’s place in the world, emphasizing the unity of nature and man, emptiness and harmony; digital art, driven by modern technology, strives to convey exciting experiences and emotional states through innovative means of artistic expression. These two trends seem to be opposite, but they fit deeply into the context of modern culture not only in China, but also in other countries. Digital art, with its very free and diverse forms of expression, provides an innovative way for Zen culture to develop; while Zen culture brings deeper philosophical connotations and spiritual dimensions to digital art.</p></abstract><kwd-group xml:lang="ru"><kwd>художественная культура цифрового искусства и дизайна</kwd><kwd>культура дзен</kwd><kwd>цифровое искусство</kwd><kwd>новые медиа</kwd><kwd>инсталляционное искусство</kwd><kwd>виртуальная реальность</kwd><kwd>целостность и эстетическая выразительность</kwd></kwd-group><kwd-group xml:lang="en"><kwd>artistic culture of digital art and design</kwd><kwd>zen culture</kwd><kwd>digital art</kwd><kwd>new media</kwd><kwd>installation art</kwd><kwd>virtual reality</kwd><kwd>integrity and aesthetic expressiveness</kwd></kwd-group></article-meta></front><back><ref-list><ref id="ref1"><mixed-citation publication-type="other" xml:lang="ru">Лао Цзы. Дао дэ цзин: Книга пути и достоинства / пер. с кит. Кониси Масутаро. 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